Saturday 24 October 2015

Expanding reading list: articles and reviews

I found JSTOR incredibly helpful for identifying literature to expand my list of works to read. I am going to share some of the recent ones, which includes both articles and reviews. Here is a list with links, grouped by author:

  • Margaret Iversen 

Orthodox and Anamorphic PerspectivesReviewed Work: The Origin of Perspective by Hubert Damisch, John Goodman; Perspective as a Symbolic Form by Erwin Panofsky, Christopher S. Wood
Oxford Art Journal
Vol. 18, No. 2 (1995), pp. 81-84


Margaret Iversen 
Oxford Art Journal 
Vol. 28, No. 2 (2005) , pp. 193-202



  • Keith Broadfoot 
Perspective Yet Again: Damisch with Lacan
Oxford Art Journal
Vol. 25, No. 1 (2002), pp. 73-94



  • James Elkins
Renaissance Perspectives
Journal of the History of Ideas
Vol. 53, No. 2 (Apr. - Jun., 1992), pp. 209-230

Reviewed Work: The Science of Art, Optical Themes in Western Art from Brunelleschi to Seurat by Martin Kemp
Zeitschrift für Kunstgeschichte
54. Bd., H. 4 (1991), pp. 597-601



  • Christopher S. Wood
Reviewed Works: The Origin of Perspective by Hubert Damisch;Le Jugement de Pâris by Hubert Damisch
The Art Bulletin
Vol. 77, No. 4 (Dec., 1995), pp. 677-682

E.H. Gombrich's 'Art and Illusion: A Study in the Psychology of Pictorial Representation', 1960 The Burlington Magazine
Vol. 151, No. 1281 (December 2009), pp. 836-839
Published by: The Burlington Magazine Publications Ltd.



  • Joel Snyder
Reviewed Work: Perspective as Symbolic Form by Erwin Panofsky
The Art Bulletin
Vol. 77, No. 2 (Jun., 1995), pp. 337-340



  • Allister Neher
How Perspective Could Be a Symbolic Form
The Journal of Aesthetics and Art Criticism
Vol. 63, No. 4 (Autumn, 2005), pp. 359-373



  • David Grubbs
Review
Reviewed Work: Art and Objecthood: Essays and Reviews by Michael Fried
Chicago Review
Vol. 44, No. 3/4 (1998), pp. 193-195



  • Patrick Maynard
Review
Reviewed Works: The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat by Martin Kemp; Perspective as Symbolic Form by Erwin Panofsky, Christopher S. Wood
The Journal of Aesthetics and Art Criticism
Vol. 52, No. 2 (Spring, 1994), pp. 243-245
Published by: Wiley on behalf of The American Society for Aesthetics



  • Rudolf Arnheim
Review
Reviewed Work: Hubert Damisch: The Origin of Perspective by John Goodman
Review by: Rudolf Arnheim
Leonardo
Vol. 28, No. 1 (1995), p. 75
Published by: The MIT Press



  • Roy R. Behrens
Review
Reviewed Work: The Domain of Images by James Elkins
Leonardo
Vol. 34, No. 1 (2001), p. 77
Published by: The MIT Press




  • Alberto Pérez-Gómez 

Questions of representation: the poetic origin of architecture. 
Architectural Research Quarterly
Vol. 9, No. 3-4 (Sep., 2005) pp. 217-225
Published by: Cambridge University Press